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Matte film reads cleanly under lab lighting and photographs without glare; gloss film maximizes color density; paper belongs on dry secondary packaging, not on vials. Each stock's limits are stated up front — a returned batch costs us both more than a straight answer.
The vial workhorse
Water-, smudge-, and abrasion-resistant once the pigment ink cures. Reads cleanly under lab lighting and photographs without glare. Permanent acrylic adhesive standard; freezer-grade adhesive on request for below-zero storage.
Maximum color density
Same durability profile as matte film with richer color depth — the pick when brand color carries the label. Expect glare under harsh direct light; matte photographs more evenly for catalog shots.
Bold dark art only
Durable film stock, honest physics: our press prints CMYK without white ink, so every color reads translucent on clear. Dark, bold designs work on glass; light palettes and fine detail mostly disappear.
Secondary packaging, not vials
Sharp and economical on dry cartons, inserts, and shelf boxes. Not water-resistant — condensation from cold storage marks it, which is why we don't recommend paper on vials at all.